GCC 3036: Seeking connection through decolonization

Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise” (Elizabeth Gilbert). Drawing on her life as an indigenous scientist, a mother, and a woman, Kimmerer shows how other living beings offer us gifts and lessons, even if we’ve forgotten how to hear their voices.

In the first ninety-five years of her life, Dorothy Dora Whipple has seen a lot of history, and in this book that history, along with the endangered Ojibwe language, sees new life. A bilingual record of Dorothy's stories, ranging from personal history to cultural teachings, Chi-mewinzha (long ago) presents this venerable elder's words in the original Ojibwe, painstakingly transcribed, and in English translation to create an invaluable resource for learning this cherished language. The events of Dorothy Dora Whipple's life resonate with Ojibwe life and culture through the twentieth century, from tales of growing up among the Anishinaabeg of the Leech Lake Reservation in the 1920s and 1930s to an account of watching an American Indian Movement protest in Minneapolis during the 1970s. In between, we encounter modern dilemmas (like trying to find a place to make a tobacco offering in an airport) and traditional stories (such as the gigantic beings who were seen in the water chi-mewinzha). Dorothy's own recollections--sometimes amusing, sometimes poignant--offer insight into the daily realities, both intimate and emblematic, of Native American life. Dorothy remembers an older sister coming home from boarding school, no longer speaking Ojibwe--and no longer able to communicate with her siblings. This collection resists such a fate, sharing the language so critical to a people's identity and offering a key text to those who would learn, preserve, and speak Ojibwe.

The concept of this volume is that the paradigm of European national languages (official orthography; language standardization; full use of language in most everyday contexts) is imposed in cookie-cutter fashion on most language revitalization efforts of Native American languages. While this model fits the sovereign status of many Native American groups, it does not meet the linguistic ideology of Native American communities, and creates projects and products that do not engage the communities which they are intended to serve. The concern over heritage language loss has generated since 1990 enormous activity that is supposed to restore full private and public function of heritage languages in Native American speech communities. The thinking goes: if you do what the volume terms the "Lost Language Ghost Dance," your heritage language will flourish once more. Yet the heritage language only flourishes on paper, and not in any meaningful way for the community it is trying to help. Instead, this volume proposes a model of Native American language revitalization that is different from the national/official language model, one that respects and incorporates language variation, and entertains variable outcomes. This is because it is based on Native American linguistic ideologies. This volume argues that the cookie-cutter application of the official language ideology is unethical because it undermines the intent of language revitalization itself: the continued daily, meaningful use of a heritage language in its speech community.