Need some help searching for and finding music materials like streaming audio and video, physical recordings, and digital and physical scores? This guide will get your started with instructions, tips, and tricks.
Find full text articles in academic journals or books on the arts, humanities, social sciences, and sciences. JSTOR provides articles from the journal's first issue. In some cases the most recent 2-5 years may not be available.
RILM Abstracts of Music Literature with Full Text is a comprehensive bibliography of writings about music featuring citations, abstracts, and indexes. It covers over one million publications from the early 19th century to the present on traditional music, popular music, classical music, and related subjects, enhanced with the full text of more than 200 periodicals.
Search old editions major U.S. newspapers and the Times of India. Papers include the Chicago Tribune, Los Angeles Times, New York Times, and the Minneapolis Star Tribune. Other titles include the Atlanta Daily World, Chicago Defender, Christian Science Monitor, Los Angeles Sentinel, the New York Amsterdam News, Pittsburgh Courier, Wall Street Journal, and Washington Post.
Bloomsbury Music and Sound provides an in-depth analysis of popular music in a global context. It includes the entirety of the Bloomsbury Encyclopedia of Popular Music of the World and the 33 1/3 series of books exploring key albums.
Find articles from 350 international music journals, plus the New York Times and the Washington Post. Covers all types of music from classical to modern includes concert and music reviews. Useful for music education, performance, ethnomusicology, musical theatre, theory, popular music forms and composition.
Music, Movies, Meanings, and Markets: Cinemajazzamatazz focuses on (macro)marketing-related aspects of film music in general and on the cinemusical role of jazz in particular. After a review of other work on music in motion pictures, the book explores and illustrates the ways in which on-screen jazz performances contribute to the development of dramatic meanings in various films, many of which address the art-versus-commerce theme as a central concern.
How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films' musical sequences. Rather than advancing a film's plot, songs in these films were staged, filmed, and cut to facilitate the singer's engagement with her or his public.
In Hymns for the Fallen, Todd Decker listens closely to forty years of Hollywood combat films produced after Vietnam. Ever a noisy genre, post-Vietnam war films have deployed music and sound to place the audience in the midst of battle and to provoke reflection on the experience of combat. Considering landmark movies--such as Apocalypse Now, Saving Private Ryan, The Thin Red Line, Black Hawk Down, The Hurt Locker, and American Sniper--as well as lesser-known films, Decker shows how the domain of sound, an experientially rich and culturally resonant aspect of cinema, not only invokes the realities of war, but also shapes the American audience's engagement with soldiers and veterans as flesh-and-blood representatives of the nation. Hymns for the Fallen explores all three elements of film sound--dialogue, sound effects, music--and considers how expressive and formal choices in the soundtrack have turned the serious war film into a patriotic ritual enacted in the commercial space of the cinema.
In Music in Disney's Animated Features James Bohn investigates how music functions in Disney animated films and identifies several vanguard techniques used in them. In addition, he also presents a history of music in Disney animated films, as well as biographical information on several of the Walt Disney Studios' seminal composers. The popularity and critical acclaim of Disney animated features truly is built as much on music as it is on animation. Beginning with Steamboat Willie and continuing through all of the animated features created under Disney's personal supervision, music was the organizing element of Disney's animation. Songs establish character, aid in narrative, and fashion the backbone of the Studios' movies from Snow White and the Seven Dwarfs through The Jungle Book and beyond. Bohn underscores these points while presenting a detailed history of music in Disney's animated films. The book includes research done at the Walt Disney Archives as well as materials gathered from numerous other facilities. In his research of the Studios' notable composers, Bohn includes perspectives from family members, thus lending a personal dimension to his presentation of the magical Studios' musical history. The volume's numerous musical examples demonstrate techniques used throughout the Studios' animated classics.