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A ground-breaking visual survey of architecture designed by women from the early twentieth century to the present day 'Would they still call me a diva if I were a man?' asked Zaha Hadid, challenging as she did so more than a century of stereotypes about female architects. In the same spirited approach, Breaking Ground is a pioneering visual manifesto of more than 200 incredible buildings designed by women all over the world. Featuring twentieth-century icons such as Julia Morgan, Eileen Gray and Lina Bo Bardi, and the best contemporary talent, from Kazuyo Sejima to Elizabeth Diller and Grafton Architects, this book is, above all else, a ground-breaking celebration of extraordinary architecture.

Women [Re]Build: Stories, Polemic, Futures is exemplary in its mission to combine in one resource reflections on the renewal of feminist thought in architecture (Framing Stories), challenges to practice made possible by activism (Shaping Polemics), and portrayals of inspiring practitioners who pave the way for future women architects (Building Futures). The goal of this edited book is to increase the visibility and voice of women who everyday challenge the definition and practice of architecture. Women [Re]Build gathers words and projects of leading women thinkers, activists, designers, and builders who have dared to ask, "where are the women?" Where are the women whose architectural work should be celebrated and recognized for its courage and impact; who have cultivated female leadership while challenging the very principles of the discipline they represent; and who've asked the most difficult and rigorous of questions of those who build their visions?

Including the key articles, documents and reports, and with a comprehensive introduction, newly written by the editor, which places the collected materials in their historical and intellectual context, Women in Architecture is an essential work of reference.The volumes explore four themes - History and Identity; Extraordinary Practice; Wider Influence, and Employment and Education. The collection offers a holistic and non Euro-centric view of women in architecture, with good practice and inspiration from all parts of the world.

Lyrical, insightful, and pleasantly avant-garde, this is the story of an intensely creative and ambitious young woman who discovered her love for place, for design, for building—that is, for architecture—even before she knew the word. It is an easy-to-read account chronicling the life and times of one of the few females to enter the field of architecture in the early ‘60s. Memoir / Social History / Architecture

In the western world, the number of women studying architecture now roughly equals that of men. As women increasingly come to the fore as practicing professionals, the question of how this shift will affect the profession and the teaching of the discipline is of greater and greater interest. In this volume, well-known female architects from the United States and Europe discuss their academic and professional experiences, as well as their visions for the future. Inspiring, optimistic, controversial and at times subversive, Architecture: A Woman's Profession unites pioneers in the field with up-and-comers: Barbara Bestor, Caroline Bos, Alison Brooks, Elke Delugan-Meissl, Jeanne Gang, Lisa Iwamoto, Sheila Kennedy, Regine Leibinger, Farshid Moussavi, Fuensanta Nieto, Monica Ponce de Leon, Mary-Ann Ray, Dagmar Richter, Denise Scott-Brown, Nasrine Seraji, Ingalill Wahlroos-Ritter and Jennifer Wolch. Photo essays and designs illustrate the contributors' discussions.

Women continue to be extremely under-represented in the architectural profession. Despite equal numbers of male and female students entering architectural studies, there is at least 17-25% attrition of female students and not all remaining become practicing architects. In both the academic and the professional fields of architecture, positions of power and authority are almost entirely male, and as such, the profession is defined by a heterosexual, Eurasian male perspective. This book argues that it is vital for all architectural students and practitioners to be exposed to a diversity of contemporary architectural practices, as this might provide a first step into broadening awareness and transforming architectural engagement. It considers the relationships between feminist methodologies and the various approaches toward design and their impact upon our understanding and relationship to the built environment. In doing so, this collection challenges two conventional ideas: firstly, the definition of architecture and secondly, what constitutes a feminist practice. This collection of up-and-coming female architects and designers use a wide range of local and global examples of their work to question different aspects of these two conventional ideas. While focusing on feminist perspectives, the book offers insights into many different issues, concerns and interpretations of architecture, proposing through these types of engagement, architecture can become more culturally, politically and environmentally relevant. This 'next generation' of architects claim feminism as their own and through doing so, help define what feminism means and how it is evolving in the 21st century.

By 1920, there were over two hundred women practicing architecture in the United States, actively working on major design and building projects before they were even given the right to vote. These women designed thousands of buildings nationwide: apartments in Kansas City, hotels in the nation's national parks, churches in Michigan, and mansions on the coast of California, to name a few. In The First American Women Architects, Sarah Allaback chronicles the lives and careers of more than seventy pioneering female architects practicing in the United States in the late nineteenth and early twentieth centuries, nearly all of whom have been forgotten--until now. Organized alphabetically as a reference guide, this volume provides a biographical sketch of each architect's life, education, and professional career, and a list of known works and sources for further research. Many of these remarkable women have never before appeared in any other history, making The First American Women Architects a unique and invaluable reference for students and scholars interested in women's history and architecture. As an instructive record of the legacy of women in architectural history, this book will also serve as a stimulating indicator of the broadening potential for women and other minorities within the field of architecture.

"The gender issues surrounding architecture are extraordinarily complex and, frequently, highly emotionally charged. Even the title of this book generated controversy: The original title, The Female Architect, was rejected because it highlighted the fact that the architects whose work is featured here are women, when most want to be considered just as architects. All want their work to be read on its own merits." "Architecture grows and develops according to the challenges it faces. Taking up the challenge of refuting the gender divide and welcoming intelligent input, from whatever source, will benefit a profession which, by definition, is serving the people from whom it works and therefore needs to operate within a collaborative framework, one offering equal opportunities according to talent rather than gender."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

At a moment when the architectural profession is beginning to shift from its traditionally male domination, The Architect: Reconstructing Her Practice examines how the introduction of women to the main body of architecture might bring about a reconstruction of the orders that pervade architectural production and consumption.

Biennial Award, The National League of American Pen Women, Inc. The collection examines what female architects have achieved, how they think about themselves and their work, and what they see as the future role of women in the field.