Music Citation Guide (Chicago Style)

As you scroll, you'll find footnote and bibliography entry templates and examples of citations for real sources for the following types of audio recordings:

• Streaming audio (Libraries databases like Naxos Music Library, tracks streamed through Spotify)
• Physical media (CDs, LP records, cassettes)

• Formatting citations for recordings can involve making a lot of decisions - is the composer or the performer more important to your argument? Is it more crucial for your reader to know about an individual track on the recording or for them to see a citation for the recording as a whole? You can choose to list whichever person (performer, composer, conductor, performing ensemble, etc.) that's the most relevant to your argument as the "author" of the recording.
   
  • For example: You may be working with a recording that features a single performer playing or singing pieces by different composers. In a discussion of a particular piece, you may want to include a footnote that points to an individual track and list the COMPOSER as the author. But - in your bibliography, cite the recording as a whole. In that case, format a bibliography entry for the entire recording, and list the PERFORMER as the author.
     
• Always include the format (CD, streaming audio, LP, etc.) of the recording you're citing in your footnotes and bibliography entries.
   
• Citations for recordings do not include the place of publication.

Footnote template:

Citing a recording as a whole

35. Composer First Name Last Name, Recording Title, Performer/Group/Conductor Name(s), recorded Month Day, Year if Applicable, Record Label Name # if Applicable, released Year, streaming audio, Database Name.

Citing an individual track: Composer as author

7. Composer First Name Last Name, “Track Title,” on Recording Title, Performer/Group/Conductor Name(s), recorded Month Day, Year, Record Label Name # if Applicable, released Year, streaming audio, Database Name.

Citing an individual track: Conductor/performer as author

7. Performer/Group/Conductor Name, “Track Title,” by Composer First Name Last Name, on Recording Title, Additional Performer/Group/Conductor Name(s) if Applicable, recorded Month Day, Year if Applicable, Record Label Name # if Applicable, released Year, streaming audio, Database Name.
 

Example of a real footnote:

Citing a recording as a whole

35. Franz Joseph Haydn, HAYDN, J.: Trumpet Concerto, Hob.VIIe:1 / Horn Concerto No. 1 / Keyboard Concerto, Hob.XVIII:1, the Academy of Ancient Music, cond. Christopher Hogwood, Decca 417 610-2, released 2014, streaming audio, Naxos Music Library.

Citing an individual track: Composer as author

7. William Schuman, “Chester,” on Brooklyn Bridge, University of Michigan Symphony Band, cond. Michael Haithcock, released 2005, streaming audio, Spotify.

Citing an individual track: Conductor/performer as author

7. Michael Haithcock, cond., “Chester,” by William Schuman, on Brooklyn Bridge, University of Michigan Symphony Band, released 2005, streaming audio, Spotify.

Bibliography entry template:

Example of a real bibliography entry:

Citing a recording as a whole

Footnote template:

Citing a recording as a whole

9. Composer First Name Last Name, Recording Title, Performer/Group/Conductor Name(s), recorded Month Day, Year if Applicable, Record Label Name # if Applicable, Release Year, Recording Format.

Citing an individual track: Composer as author

45. Composer First Name Last Name, “Track Title,” on Recording Title, Performer/Group/Conductor Name(s), recorded Month Day, Year if Applicable, Record Label Name # if Applicable, Release Year, Recording Format.

Citing an individual track: Conductor/performer as author

45. Performer/Group/Conductor Name, “Track Title,” by Composer First Name Last Name, on Recording Title, Additional Performer/Group/Conductor Name(s) if Applicable, recorded Month Day, Year if Applicable, Record Label Name # if Applicable, Release Year, Recording Format.
 

Example of a real footnote:

Citing a recording as a whole

9. W.A. Mozart, The Complete Mozart Symphonies, The English Consort, conducted by Trevor Pinnock, recorded 1993-1995, Archiv Produktion 471 666-2, 2002, compact disc.

Citing an individual track: Composer as author

45. Tōru Takemitsu, “Voice for Solo Flutist,” on Sound & Repercussion: New Music for Solo Flute, Linda Wetherill, flute, Furious Artisans FACD6804, 2000, compact disc.

Citing an individual track: Conductor/performer as author

45. Linda Wetherill, flute, “Voice for Solo Flutist,” by Tōru Takemitsu, on Sound & Repercussion: New Music for Solo Flute, Furious Artisans FACD6804, 2000, compact disc.


Bibliography entry template:

Citing a recording as a whole

Example of a real bibliography entry: